Table of Contents: Acknowledgements
Introduction
1. Sustaining Dominant Narratives: La hora azul, Abril rojo, and Un lugar llamado Oreja de Perro
2. Transitional Justice and Reconciliation through Identification: Paloma de papel and La teta asustada
3. Dead Body Politics: Grupo Cultural Yuyachkani at the CVR Hearings
4. Towards a Narrative Pachacutic: Rosa Cuchillo
5. Collaborative Truth-Telling: The Art of Edilberto Jiménez and the Chungui Testimonies
6. Reconciling through Other Knowledges: The Yuyarisun Contests in Ayacucho
Conclusion: Some Thoughts on Memory Museums
Bibliography
Index